20 Types and Forms of Humor

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After a play article has been created, the link on this page will be blue. The Catch Tale: A catch tale is basically a funny story that messes up the reader or listener by implying an awful ending and then stopping with an abrupt declaration. According to the definition given by Britannica, it is a comic dramatic piece that uses highly improbable situations, stereotyped characters, extravagant exaggeration, and violent horseplay. It is a fact that true love never runs smoothly; however, love overcomes difficulties and ends in a happy union.

It is said to have originated from the Italian Commedia dell'arte. An example of a comedy would be 's play , or for a more modern example the skits from. The highly contrived endings are the clue to what these plays, all very different, are about.

20 Types and Forms of Humor

Children performing a Christmas play depicting A play is a form of written by a , usually consisting of between , intended for rather than just. Plays are performed at a variety of levels, from , , , to , as well as university or school productions. There are rare dramatists, notably , who have had little preference as to whether their plays were performed or read. Main article: Comedies are plays which are designed to be humorous. Comedies are often filled with witty remarks, unusual characters, and strange circumstances. Certain comedies are geared toward different age groups. An example of a comedy would be 's play , or for a more modern example the skits from. Farce Main article: A play takes a comic look at current events people while at the same time attempting to make a political or social statement, for example pointing out. An example of a satire would be 's and '. Satire plays are generally one of the most popular forms of comedy, and often considered to be their own genre entirely. Restoration comedy Main article: Restoration comedy is a genre that explored relationships between men and women, and was considered risqué in its time. Characters featured in restoration comedy included stereotypes of all kinds, and these same stereotypes were found in most plays of this genre, so much so that most plays were very similar in message and content. However, since restoration comedy dealt with unspoken aspects of relationships, it created a type of connection between audience and performance that was more informal and private. This may give clues as to why, despite its original success, restoration comedy did not last long in the seventeenth century. However, in recent years, it has become a topic of interest for theatre theorists, who have been looking into theatre styles that have their own conventions of performance. Tragedy Main article: These plays contain darker themes such as death and disaster. Often the of the play has a , a trait which leads to their downfall. Tragic plays convey all emotions and have very dramatic conflicts. Some examples of tragedies include William Shakespeare's , and also 's play. Historical An actor and actress performing a play in front of the Nereid Monument, Room 17, the British Museum, London These plays focus on actual historical events. They can be tragedies or comedies, but are often neither of these. Examples of historical plays include 's and William Shakespeare's. Musical theatre Main article: Ballad opera, a popular theatre style at the time, was the first style of musical to be performed in the American colonies. Around the 1920s, theatre styles were beginning to be defined more clearly. For musical theatre, this meant that composers gained the right to create every song in the play, and these new plays were held to more specific conventions, such as thirty-two-bar songs. When the Great Depression came, many people left Broadway for Hollywood, and the atmosphere of Broadway musicals changed significantly. A similar situation occurred during the 1960s, when composers were scarce and musicals lacked vibrancy and entertainment value. By the 1990s, there were very few original Broadway musicals, as many were recreations of movies or novels. Musical productions have songs to help explain the story and move the ideas of the play along. They are usually accompanied by dancing. Musicals can be very elaborate in settings and actor performances. Examples of musical productions include Wicked and Fiddler on the Roof. Above all, Artaud did not trust language as a means of communication. Plays within the genre of theatre of cruelty are abstract in convention and content. Artaud wanted his plays to have an effect and accomplish something. His intention was to symbolise the subconscious through bodily performances, as he did not believe language could be effective. Artaud considered his plays to be an enactment rather than a re-enactment, which meant he believed his actors were in reality, rather than re-enacting reality. His plays dealt with heavy issues such as patients in psych wards, and Nazi Germany. Much of his work was banned in France at the time. Artaud did not believe that conventional theatre of the time would allow the audience to have a cathartic experience and help heal the wounds of World War II. For this reason, he moved towards radio-based theatre, in which the audience could use their imagination to connect the words they were hearing to their body. This made his work much more personal and individualized, which he believed would increase the effectiveness of portraying suffering. Theatre of the Absurd Theatre of the Absurd: This genre generally includes metaphysical representations of existential qualms and questions. Theatre of the absurd denies rationality, and embraces the inevitability of falling into the abyss of the human condition. Instead of discussing these issues, however, theatre of the absurd is a demonstration of them. This leaves the audience to discuss and question the content of the play for themselves. One of the main aspects of theatre of the absurd is the physical contradiction to language. Oftentimes, the dialogue between characters will directly oppose their actions. Famous playwrights within this genre include Beckett, Sartre, Ionesco, Adamov, and Genet. Retrieved on January 3, 2008. Essays of Criticism: 370—387. Restoration Comedy in Performance. American Musical Theatre 3 ed. New York, NY: Oxford University Press. Antonin Artaud and the Impossible Theatre: The Legacy of the Theatre of Cruelty. Theatre of the Absurd.

Suitable for middle and senior years. They are usually accompanied by dancing. Below you can find the generally accepted categorization of these play types, along with further information:. The components of drama are: theme, plot, audio-visual effects, and music. The Catch Tale: A catch tale is different types of comedy plays a funny story that messes up the reader or listener by implying an awful ending and then stopping with an abrupt declaration. With these words, Juliet suggests the name of a thing does not matter, only what that thing is. Say, like: My dog hates to go for walks with me, he keeps falling off the treadmill. This year, India got its very own Fringe Festival that showed plays like Colaba Casanova and Love, Bombs and Jesus. The theatrical culture emerged from Greece and Athens, thereby creating an impact throughout the world. The theme of a tragedy usually rotates around the ruins of a dynasty, downfall of man, emotional betrayals, moral setback, personal loss, death, and denials.